3 edition of Sacred repertories in Paris under Louis XIII found in the catalog.
Sacred repertories in Paris under Louis XIII
Lewis Peter Bennett
Includes bibliographical references and index.
|Series||Royal Musical Association monographs|
|LC Classifications||ML3027.8.P2 B46 2009|
|The Physical Object|
|LC Control Number||2009016960|
Jeudis musicaux concerts are held weekly from November till June in the Royal Chapel at the Palace of Versailles, co-organised by the CMBV, the Palace of Versailles and the Conservatoire National Supérieur de Paris. They give the public a chance to hear Les Pages & Les Chantres, student organists from the Paris conservatoire (under Michel Bouvard and Olivier Latry), and young musicians. BOOKS RECENTLY PUBLISHED Compiled by Karen R. Little and James Procell Sacred repertories in Paris under Louis XIII: Paris, Bibliothèque na-tionale de France, MS Vma rés. Farnham, England; Burlington, VT: Ash-gate, xviii, p. ISBN (hbk.; alk. paper). ISBN.
on the front is the print number, a french proof stamp/signature and the signature. on the reverse are the print details and a french trade stamp. as there is no provenance available with this piece, it is being sold as in the "manner of and after" pablo picasso. Books, Maps, and Politics: A Cultural History of the Library of Congress, By Carl Ostrowski University of Massachusetts Press, Read preview Overview.
For information about the scope of this column, consult the headline in the September issue (p. of this volume). ENGLISH. Albertyn, Erik. Paris, France: Our Lady of Victories Minor Basilica History of the Basilica: One of the 16 Churches in Paris to be designated as a Minor Basilica, Our Lady of Victories (Notre Dame des Victoires), is one of the most popular churches in XIII founded Notre-Dame des Victoires in
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: Sacred Repertories in Paris under Louis XIII: Paris, Bibliothèque nationale de France, MS Vma rés. (Royal Musical Association Monographs) (): Bennett, Peter: BooksCited by: 3. The study of sacred music under Louis XIII (r) has advanced little in the past Sacred repertories in Paris under Louis XIII book years.
Despite some important recent contributions by the late Denise Launay and others, much of our current perception of the Latin sacred music of the period is still informed by the pioneering research undertaken by Henri Quittard in the early years of the twentieth century.
Book Description. The study of sacred music under Louis XIII (r) has advanced little in the past hundred years. Despite some important recent contributions by the late Denise Launay and others, much of our current perception of the Latin sacred music of the period is still informed by the pioneering research undertaken by Henri Quittard in the early years of the twentieth century.
Get this from a library. Sacred repertories in Paris under Louis XIII: Paris, Bibliothèque nationale de France, MS Vma rés. [Lewis Peter Bennett; Royal Musical Association.]. About. Active as both a scholar and performer, Peter Bennett teaches in the Musicology and Historical Performance Practice programs at CWRU.
A scholar of early-modern France – focusing in particular on the intersection of music, religion, and politics in Louis XIII’s Paris – he has also long been active as a harpsichordist and organist, in Europe (where he studied) and the USA. Antoine Boësset, Antoine Boesset or Anthoine de Boesset ( – 8 December ), sieur de Villedieu, was the superintendent of music at the Ancien Régime French court and a composer of secular music, particularly airs de and his father-in-law Pierre Guédron dominated the court's musical life for the first half of the 17th century under Louis XIII.
Bennett, Peter, Sacred Repertories in Paris under Louis XIII (Farnham: Ashgate, ) Benoit a. Benoit, Marcelle, Versailles et les musiciens du roi, – Etude institutionelle de sociale (Paris: Picard, ) Benoit b.
Benoit, Marcelle, Musiques de cour: Chapelle, chambre, écurie – (Paris: Picard, ) Benoit This sacramentary, compiled at the abbey of Echternach between andis one of the most interesting and unusual examples from the Carolingian period.
Unique in combining aspects of Gregorian, Gelasian, and Old Gelasian sacramentaries, it also has important implications for such matters as Carolingian liturgical reforms, and it is a vital source for the study of the local history of the.
This page lists all books in the category Music History» Western Classical Music History» Baroque, available to browse and buy.
Sacred Repertories in Paris under Louis XIII: Paris, Bibliotheque nationale de France, MS Vma res. Author: Bennett, Peter; ISBN: (). Email your librarian or administrator to recommend adding this book to your organisation's collection.
The Polyphonic Mass in France, – Jean-Paul C. Montagnier; Online ISBN: Bennett, Peter, Sacred Repertories in Paris under Louis XIII. Paris, Bibliothèque Nationale de France, MS Vma Rés.
RMA Monographs no. By re-examining one of the seventeenth-century 'treasures' of the Bibliothèque nationale (MS Vma rés. ), Sacred Repertories in Paris under Louis XIII reveals that, far from being a transitional period in which little music of any interest was produced, the reign of Louis XIII witnessed a flowering of musical activity and the development of.
"O salutaris hostia" (Latin, "O Saving Victim" or "O Saving Sacrifice"), is a section of one of the Eucharistic hymns written by St Thomas Aquinas for the Feast of Corpus wrote it for the Hour of Lauds in the Divine is actually the last two stanzas of the hymn Verbum supernum prodiens, and is used for the Adoration of the Blessed Sacrament.
But by re-examining one of the seventeenth-century âe~treasuresâe(tm) of the BibliothÃ¨que nationale (MS Vma rÃ©s. ), Sacred Repertories in Paris under Louis XIII reveals that, far from being a transitional period in which little music of any interest was produced, the reign of Louis XIII witnessed a flowering of musical activity and.
Stunning quality Louis XIII Chateau Armoire. NOTE> We have the bed and bedside cabinet to go with this armoire on separate listings. Louis XIII style Armoire with two doors bevelled mirrors and lift out adjustable shelves in C in solid Walnut (HS).
Peter Bennett, Sacred repertories in Paris under Louis XIII: Paris, Bibliotheque nationale de France, MS Vma re's.Royal Musical Association Monographs, xvii (Farnham: Ashgate, ), £55 Thierry Favier, Le motet a grand chceur ().
Gloria in Gallia Deo (Paris: Fayard, ), €28 The collective reigns of the last four Bourbons. TripAdvisor travellers, my family and I stayed in the Novotel in October this year.
We travelled to Paris by car and next to the hotel there is an indoorparking, well secured and you pay 28 euros a day. Sacred Repertories in Paris under Louis XIII: Paris, Bibliothèque nationale de France, MS V ma rès.
Peter Lewis Bennett, Sacred repertories in Paris under Louis XIII. Farnham: Ashgate publishing, ISBN Disponible equí. Bonnet, Bouzignac, Moulinié et les musiciens en Pays d'Aude du XVIe et du XVIIe siècle.
- Béziers: Société de musicologie du Languedoc, Jean Duron. L’œuvre de Guillaume Bouzignac. Michael Talbot (ed.) Vivaldi. e, December c pages. Consists of 22 articles on Vivaldi from the last 30 years. ISBN Nicolas Goupillet also Coupillet or Goupillier (Senlis, ca. - Paris, ca. ) was a French Baroque composer - albeit a composer who may not have himself composed all of his works.
In the then fifty-year-old "Sun King" Louis XIV commanded that a competition be held to select four rotating seasonal choirmasters to replace the retiring Henry Du Mont and at the Chapelle royale.
Free Online Library: The future of the past; a conservation ethic for architecture, urbanism, and historic preservation.(Brief article, Book review) by "Reference & Research Book News"; Publishing industry Library and information science Books Book.
Paris houses many of history's more stunning spiritual relics—churches and cathedrals* that stand today as breathtaking testimonials to a complex heritage of Christianity that dominated in Paris from the fall of the Roman Empire to the French of these majestic edifices fell into near-ruin in the wake of the Revolution but revived interest in the 19th century brought about.Peter Bennett: Sacred Repertories in Paris under Louis XIII () Julie Brown: Bartók and the Grotesque: Studies in Modernity, the Body and Contradiction in Music () Anthony M.
Cummings: MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, () “Hearing King David in Early Modern France: Politics, Prayer, and Louis XIII’s Musique de la Chambre” (Journal of the American Musicological Society, Spring )A co-authored chapter with Georgia Cowart in The Cambridge Companion to French Music (Cambridge University Press, ).
Sacred repertories in Paris under Louis XIII (Royal Musical Association Monographs, ).